This series focuses on the relations originated inside museums. They can be between the individual piece of art and the room which contains it, between the external and internal space or between visitors and the building’s architecture.
Galleria Nazionale d’Arte Moderna (GNAM) and the Museo d’Arte Contemporanea di Roma (MACRO) are the protagonists. The first houses the most complete collection of Italian and foreign art between the 19th and 21st centuries; the second is considered a reference point of contemporary art to which artists turn for their exhibition proposals.
This research born from the author’s personal interest in attending museums and it has two specific purposes: inviting the reader to find the links of each single image and the visitor to slow down the path, dedicating more time to the displayed artwork.