ABSTRACT:

This series focuses on the multiple relations originated inside museums, between the individual piece of art and the room, the external and internal space, visitors and architecture.

Galleria Nazionale d’Arte Moderna (GNAM) and the Museo d’Arte Contemporanea di Roma (MACRO) are the environments. The first houses the most complete collection of Italian and foreign art between the 19th and 21st centuries; the second is considered a reference point of contemporary art to which artists turn for their exhibition proposals.

This research born from the author’s personal interest in attending museums and invites the visitor to slow down the path, dedicating more time to the displayed artwork.